Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Here are all the paintings of Thomas Gainsborough 03

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
33814 Robert Andrews and his Wife Frances Thomas Gainsborough Robert Andrews and his Wife Frances mk86 c.1750 Oil on canvas 69.8x119.5cm London,National Gallery
21934 Robert Andrews and his Wife Frances (mk08) Thomas Gainsborough Robert Andrews and his Wife Frances (mk08) c.1750 Oil on canvas 69.8x119.5cm London,National Gallery
28736 Robert Butcher of Walthamstan Thomas Gainsborough Robert Butcher of Walthamstan mk61 Oil on canvas 75x62cm
84411 Saintes Thomas Gainsborough Saintes 1783(1783) Medium Oil on canvas Dimensions 71 x 40 cm (28 x 15.7 in) cyf
44572 Sarah Siddons Thomas Gainsborough Sarah Siddons mk173 1785 Oil on canvas 125.7x100.3cm
78959 Sarah Siddons Thomas Gainsborough Sarah Siddons 1785(1785) Medium Oil on canvas Dimensions 126 x 100 cm (49.6 x 39.4 in) cyf
38190 Sarah,Lady innes Thomas Gainsborough Sarah,Lady innes mk29 c.1757 Oil on canvas 101.6x72.7cm
89199 Seashore with Fishermen Thomas Gainsborough Seashore with Fishermen 1781-1782 Medium oil on canvas cjr
78819 Self portrait Thomas Gainsborough Self portrait 1787(1787) Medium Oil on canvas Dimensions 73.5 x 58.5 cm (28.9 x 23 in) cyf
79011 Self portrait Thomas Gainsborough Self portrait 1754(1754) Medium Oil on canvas Dimensions 58 x 49 cm (22.8 x 19.3 in) cyf
81390 Self portrait Thomas Gainsborough Self portrait 1758-1759 Medium Oil on canvas Dimensions 76.2 x 63.5 cm (30 x 25 in) cyf
1316 Self Portrait ss Thomas Gainsborough Self Portrait ss 1787 Royal Academy of Arts, London
26932 Self-Portrait Thomas Gainsborough Self-Portrait mk52 C.1759 Oil on canvas 76.2x63.5cm Natinal Portrait Gallery,London
29553 Self-Portrait Thomas Gainsborough Self-Portrait 1787 Oil on canvas
40621 Self-Portrait Thomas Gainsborough Self-Portrait mk156 1790 Oil on canvas 100x81cm
40894 Self-portrait Thomas Gainsborough Self-portrait mk156 c.1754
40934 Self-portrait Thomas Gainsborough Self-portrait mk158 1754
40959 Self-Portrait Thomas Gainsborough Self-Portrait mk158 c.1759
58908 Self-Portrait Thomas Gainsborough Self-Portrait Self-Portrait (1754)
77174 Self-portrait Thomas Gainsborough Self-portrait 1754(1754) Oil on canvas 58 ?? 49 cm (22.8 ?? 19.3 in) cjr
40908 Self-portrait with and Daughter Thomas Gainsborough Self-portrait with and Daughter mk158 c.1748
98104 Sir Benjamin Thompson Thomas Gainsborough Sir Benjamin Thompson Dimensions: 75.25 cm. x 62.55 cm. actual cyf
40917 St Mary-s Church Thomas Gainsborough St Mary-s Church mk158 Hadleigh Suffolk 1747-48
40910 Study for a Foreground,a Bank with Weeds and Thistles Thomas Gainsborough Study for a Foreground,a Bank with Weeds and Thistles mk158 c.1750
39726 Suffolk landscape Thomas Gainsborough Suffolk landscape mk150 c.1750 Canvas 66x95cm
76733 Suffolk Landscape Thomas Gainsborough Suffolk Landscape Suffolk Landscape, mid-1750s oil on canvas painting by Thomas Gainsborough, Kimbell Art Museum. cjr
80228 Suffolk Landscape Thomas Gainsborough Suffolk Landscape oil on canvas painting by Thomas Gainsborough, Kimbell Art Museum Date mid-1750s cyf
58898 Sunset Thomas Gainsborough Sunset Sunset (1760)
58905 The Artist Daughters, Molly and Peggy Thomas Gainsborough The Artist Daughters, Molly and Peggy The Artist`s Daughters, Molly and Peggy (1760)
51017 The Artist-s Daughters with a Cat Thomas Gainsborough The Artist-s Daughters with a Cat 1759-61 Oil on canvas, 75,6 x 62,9 cm
56138 the blue boy Thomas Gainsborough the blue boy mk247 1770,oil on canvas,70x48 in,178x122 cm,huntington art collections,san marino,ca,usa
58892 The Blue Boy Thomas Gainsborough The Blue Boy The Blue Boy (1770). The Huntington, California.
40918 The Charterhouse, Thomas Gainsborough The Charterhouse, mk158 London November 1748
40921 The Fallen Tree Thomas Gainsborough The Fallen Tree mk158 c.1750-53
1304 The Harvest Wagon Thomas Gainsborough The Harvest Wagon 1767 Barber Institute of Fine Arts, Birmingham
50852 The Harvest wagon Thomas Gainsborough The Harvest wagon mk216
52715 The Harvest Wagon Thomas Gainsborough The Harvest Wagon mk223 Oil on canvas
56578 the harvest wagon Thomas Gainsborough the harvest wagon mk248 gainsborougb, som enbart verkade i sin atelje, ardetade ofta mot en malad landskapspsfond, upplyst av levande ljud.han kom att upppskarra rubens ocb den nederlandske madtarens influenser marks bar i de flytande liytande linjerna ocb korsnedtagningen.
31817 The hon.frances duncombe Thomas Gainsborough The hon.frances duncombe mk76 Painted c.1777 Oil on canvas 92 1/4x61 1/8in
1308 The Honorable Mrs Graham Thomas Gainsborough The Honorable Mrs Graham 1775-77 National Gallery of Scotland, Edinburgh
52721 The Honourable Thomas Gainsborough The Honourable mk223 Mrs Graham Mrs Graham was one of the many society beauties Gainsborough painted in order to make a living,although he preferred painting landscapes
50859 The Honourable mas graham mars Graham was one of the many society beauties Gainsborough painted in order to make a living Thomas Gainsborough The Honourable mas graham mars Graham was one of the many society beauties Gainsborough painted in order to make a living mk216
40916 The Idle-Prentice at Play in the Church Yard during Divine Service Thomas Gainsborough The Idle-Prentice at Play in the Church Yard during Divine Service mk158 1747
40962 The Lady-s Last Stake Thomas Gainsborough The Lady-s Last Stake mk158 1759
43295 The Maket Cart Thomas Gainsborough The Maket Cart mk170 1786 Oil on canvas 184.2x153cm
31818 The mall in St.James's Park Thomas Gainsborough The mall in St.James's Park mk76 Painted probably in 1783 Oil on canvas 47 1/2x57 7/8in
38231 The Mall in St.James-s Park Thomas Gainsborough The Mall in St.James-s Park mk29 c.1783 Oil on canvas
78936 The Marsham Children Thomas Gainsborough The Marsham Children 1787(1787) Medium Oil on canvas Dimensions 243 x 182 cm (95.7 x 71.7 in) cyf
33816 The Morning Walk Thomas Gainsborough The Morning Walk mk86 c.1785/86 Oil on canvas 263.3x179.1cm London,Nationa Gallery
21936 The Morning Walk (mk08) Thomas Gainsborough The Morning Walk (mk08) c.1785/86 Oil on canvas 263.3x179.1cm London,National Gallery
58895 The Painter Daughters Chasing a Butterfly Thomas Gainsborough The Painter Daughters Chasing a Butterfly The Painter`s Daughters Chasing a Butterfly
1306 The Painter's Daughters Chasing a Butterfly Thomas Gainsborough The Painter's Daughters Chasing a Butterfly 1755-56 National Gallery, London
40942 The Painter-s Daughters chasing a Butterfly Thomas Gainsborough The Painter-s Daughters chasing a Butterfly mk158 c.1756
40953 The Shepherd Boy Thomas Gainsborough The Shepherd Boy mk158 c.1757-59
40935 The Suffolk Plough Thomas Gainsborough The Suffolk Plough m158 c.1754
44601 The three Eldest Princesses Thomas Gainsborough The three Eldest Princesses mk173 1784 Oil on canvas 129.5x179.7cm
33815 The Watering Place Thomas Gainsborough The Watering Place mk86 1777 Oil on canvas 147.3x180.3cm London,National Gallery
21935 The Watering Place (mk08) Thomas Gainsborough The Watering Place (mk08) 1777 Oil on canvas. 147.3x180.3cm London,National Gallery
79080 Thomas Graham Thomas Gainsborough Thomas Graham 1777(1777) Medium Oil on canvas Dimensions 237 x 154 cm (93.3 x 60.6 in) cyf
58903 Two Daughters with a Cat Thomas Gainsborough Two Daughters with a Cat Two Daughters with a Cat (c. 1759)
92659 View in Suffolk Thomas Gainsborough View in Suffolk c. 1755 Medium oil on canvas Dimensions 37 3/4 x 49 3/8 in. (95.9 x 125.4 cm) cjr
33817 Woman in Blue Thomas Gainsborough Woman in Blue mk86 before 1780 Oil on canvas 76x64cm St Petersburg,Hermitage
77571 Woman in Blue Thomas Gainsborough Woman in Blue Oil on canvas 76 ?? 64 cm (29.9 ?? 25.2 in) cjr
79528 Woman in Blue Thomas Gainsborough Woman in Blue Oil on canvas 76 x 64 cm (29.9 x 25.2 in) Late 1770s - early 1780s cjr
79602 Woman in Blue Thomas Gainsborough Woman in Blue Oil on canvas Late 1770s - early 1780s 76 x 64 cm (29.9 x 25.2 in) cjr
21937 Woman in Blue (mk08) Thomas Gainsborough Woman in Blue (mk08) 1780 Oil on canvas 76x64cm St Petersburg,Hermitage
1319 Wooded Landscape with Mounted Drover Thomas Gainsborough Wooded Landscape with Mounted Drover 1780
40904 Wooded Landscape with River Thomas Gainsborough Wooded Landscape with River mk158 mid 1740s
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Thomas Gainsborough
1727-1788 British Thomas Gainsborough Locations English painter, draughtsman and printmaker. He was the contemporary and rival of Joshua Reynolds, who honoured him on 10 December 1788 with a valedictory Discourse (pubd London, 1789), in which he stated: If ever this nation should produce genius sufficient to acquire to us the honourable distinction of an English School, the name of Gainsborough will be transmitted to posterity, in the history of Art, among the very first of that rising name. He went on to consider Gainsborough portraits, landscapes and fancy pictures within the Old Master tradition, against which, in his view, modern painting had always to match itself. Reynolds was acknowledging a general opinion that Gainsborough was one of the most significant painters of their generation. Less ambitious than Reynolds in his portraits, he nevertheless painted with elegance and virtuosity. He founded his landscape manner largely on the study of northern European artists and developed a very beautiful and often poignant imagery of the British countryside. By the mid-1760s he was making formal allusions to a wide range of previous art, from Rubens and Watteau to, eventually, Claude and Titian. He was as various in his drawings and was among the first to take up the new printmaking techniques of aquatint and soft-ground etching. Because his friend, the musician and painter William Jackson (1730-1803), claimed that Gainsborough detested reading, there has been a tendency to deny him any literacy. He was, nevertheless, as his surviving letters show, verbally adept, extremely witty and highly cultured. He loved music and performed well. He was a person of rapidly changing moods, humorous, brilliant and witty. At the time of his death he was expanding the range of his art, having lived through one of the more complex and creative phases in the history of British painting. He painted with unmatched skill and bravura; while giving the impression of a kind of holy innocence, he was among the most artistically learned and sophisticated painters of his generation. It has been usual to consider his career in terms of the rivalry with Reynolds that was acknowledged by their contemporaries; while Reynolds maintained an intellectual and academic ideal of art, Gainsborough grounded his imagery on contemporary life, maintaining an aesthetic outlook previously given its most powerful expression by William Hogarth. His portraits, landscapes and subject pictures are only now coming to be studied in all their complexity; having previously been viewed as being isolated from the social, philosophical and ideological currents of their time, they have yet to be fully related to them. It is clear, however, that his landscapes and rural pieces, and some of his portraits, were as significant as Reynolds acknowledged them to be in 1788.
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